The real need for 24 bit arises if you want to post-process the signal. As soon as you are applying any kind of post-gain to low volume signals then 16 bit systems start sounding like a 1960s telephone line. You have to understand that 16bit was NEVER meant as a mastering format.A 24-bit audio sample can represent up to 16.7 million levels of amplitude, while a 32-bit audio sample can represent over 4.2 billion levels of amplitude. In practical terms, this means that a 32-bit digital audio recording can capture a greater dynamic range than a 24-bit recording.16 bit provides each sample with 65,536 possible amplitude values. 24 bit provides each sample with 16,777,216 possible amplitude values. As such, 16 bit provides you with 96dB of dynamic range between the noise floor and 0dBFS. 24 bit provides you with 144dB of dynamic range between the noise floor and 0dBFS.

What is the dynamic range of 32-bit : The dynamic range that can be represented by a 32-bit (floating point) file is 1528 dB. Since the greatest difference in sound pressure on Earth can be about 210 dB, from anechoic chamber to massive shockwave, 1528 dB is far beyond what will ever be required to represent acoustical sound amplitude in a computer file.

How loud is 24-bit

24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even the best sensors and microphones rarely exceed 130 dB.

Is 320kbps 24-bit : The highest quality MP3 has a bitrate of 320kbps, whereas a 24-bit/192kHz file has a data rate of 9216kbps. Music CDs are 1411kbps. The hi-res 24-bit/96kHz or 24-bit/192kHz files should, therefore, more closely replicate the sound quality the musicians and engineers were working with in the studio.

Sound files recorded in 24-bit formats are sometimes called 'HD' what stands for 'high destiny' as it refers to the higher resolution of the signal which may be recorded in that format. However, in practice, you won't be able to hear the difference by ear in CD or HD music file.

For music production try a sample rate of 48 kHz at 24 bits. This strikes a nice balance between quality, file size, and processing power.

Is 44.1 kHz 24-bit good

For most music applications, 44.1 kHz is the best sample rate to go for. 48 kHz is common when creating music or other audio for video. Higher sample rates can have advantages for professional music and audio production work, but many professionals work at 44.1 kHz.144 dB

In theory, 24-bit digital audio has a maximum dynamic range of 144 dB, compared to 96 dB for 16-bit but today's digital audio converter technology cannot come close to that upper limit.Most importantly, 32-bit systems are slow in computing calculations due to the amount of memory available. Due to this, they render graphics slower and at a much lower quality as compared to their 64-bit counterparts.

And it can do more than cut the size of CD-quality files: FLAC can also come in 24-bit form and beyond, as Albert Yong of Bowers & Wilkins explains: 'The system is so flexible that it can take anything from 4 to 32 bits and sample rates up to 655350Hz in 1 Hz steps.

Will Spotify get 24-bit : The lossless mentions are very direct — “lossless has arrived” is one snippet — with Spotify supporting “up to 24-bit/44.1kHz” FLAC files.

Is 128 bit faster than 64-bit : Between 128 bit and 64 bit versions of same graphics card, 128 bit would have better performance in games. Since GPU cache can not hold all the game content, eventually some data will be streamed from video memory to GPU. There, 128 bit will have advantage over 64 bit.

Why is 64-bit better

This means that a 64-bit system can utilize more random-access memory (RAM) and handle larger files and datasets more efficiently. Additionally, 64-bit systems have larger registers and can process larger chunks of data in a single instruction, which can lead to improved performance in certain tasks.

I'm no engineer or expert here – but as it was explained to me (on here) MP3 encoding does not have a fixed bit depth, so – regardless of what was input – an MP3 can be decoded / rendered as 16-bit or 24-bit (or something else presumably).24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even the best sensors and microphones rarely exceed 130 dB.

Is 320kbps 24 bit : The highest quality MP3 has a bitrate of 320kbps, whereas a 24-bit/192kHz file has a data rate of 9216kbps. Music CDs are 1411kbps. The hi-res 24-bit/96kHz or 24-bit/192kHz files should, therefore, more closely replicate the sound quality the musicians and engineers were working with in the studio.